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Pim Wangtechawat

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Category Archives: East-Asian Representation Project

Part 5: Emergence of East Asian Identity In Television

Asian-American characters in TV shows from 1970 – 2013.

Posted byPim WangtechawatJune 14, 2021June 21, 2021Posted inArticles & Essays, East-Asian Representation Project1 Comment on Part 5: Emergence of East Asian Identity In Television

Part 4: The Dragon Lady, The Warrior Woman and Asian Femininity

The representation of Asian femininity in Hollywood films and TV shows from 1970 – 2013.

Posted byPim WangtechawatJune 14, 2021June 21, 2021Posted inArticles & Essays, East-Asian Representation Project2 Comments on Part 4: The Dragon Lady, The Warrior Woman and Asian Femininity

Part 3: “Crouching Tiger, Hidden Dragon” and Cultural Purity

The phenomenon that is “Crouching Tiger, Hidden Dragon” and the ideas of cultural purity it raises.

Posted byPim WangtechawatJune 13, 2021June 21, 2021Posted inArticles & Essays, East-Asian Representation Project2 Comments on Part 3: “Crouching Tiger, Hidden Dragon” and Cultural Purity

Part 2: The Male Asian Identity in the Post-Bruce Lee Era

Jackie Chan, Long Duk Dong, and Mr. Miyagi after Bruce Lee has stormed Hollywood.

Posted byPim WangtechawatJune 13, 2021June 21, 2021Posted inArticles & Essays, East-Asian Representation Project2 Comments on Part 2: The Male Asian Identity in the Post-Bruce Lee Era

Part 1: Bruce Lee – Asian Masculinity & Anti-Colonial Hero

The complex identity of Bruce Lee in Asian and Hollywood cinema.

Posted byPim WangtechawatJune 13, 2021June 21, 2021Posted inArticles & Essays, East-Asian Representation Project2 Comments on Part 1: Bruce Lee – Asian Masculinity & Anti-Colonial Hero

East Asian Representation in Mainstream American Cinema & Television from 1970 – 2013: INTRODUCTION

In 1972, Bruce Lee burst onto the western mainstream cinema landscape with The Way of The Dragon. So…what happened next?

Posted byPim WangtechawatJune 13, 2021June 21, 2021Posted inArticles & Essays, East-Asian Representation ProjectLeave a comment on East Asian Representation in Mainstream American Cinema & Television from 1970 – 2013: INTRODUCTION
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